Netflix, you did it. I’m so proud of you.

Netflix has proved to be really good at some things. Shows about lady wrestlers. Shows about The Upside-Down. Making you cry about makeovers. Making you cry in a different way over terrible cakes.

They’ve not really nailed the rom-com before.

I watch basically every Netflix Original rom-com that goes on there, but I’ve only seen fit to write about A Christmas Prince and Christmas Inheritance because they were really cheesy and ’twas the season etc. And yes I did actually enjoy Christmas Inheritance but that is because the standard for holiday romances is so, so low. However, I’m not going to pretend I’m not counting down the months until The Princess Switch with Vanessa Hudgens.

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I watch the rest of the nonsense they add. I watched Ibiza, which I felt vastly overestimated the appeal of watching people who are drug-fucked and vastly underused Richard Madden’s natural Scottish accent. Happy Anniversary made me want to never be in a relationship lest I have to talk that much. They do okay with teen rom coms….sometimes? Candy Jar was charming. The Kissing Booth was one of the most problematic things I’ve seen in a long time, GIRL RUN AWAY. I did not watch When We First Met because I hate Adam Devine with the fire of a thousand suns.

So I am extremely pleased to say, they’ve done it. They’ve made a good rom-com. Meet Set It Up: 

The basic structure is barely even trying. Two over-worked and under-appreciated assistants who work in the same building set up their bosses to get some free time: “When they’re boning, we’re free, right?”. In the meantime they hardly realise that they themselves are being drawn closer together. So no, you’re not here for the plot. You’re here for the charm.

This whole movie is like some sort of twisted charisma factory. We start with the most important role, the heroine. I haven’t seen Zoey Deutch in a lot, but I knew something very important going in: she made the dire, horrific mess that is the Vampire Academy movie legitimately enjoyable, purely through charm and excellent line deliveries. There was a moment there where even pashing her PE teacher seemed like a good idea. So yes, I was more than happy to be carried along by Harper’s crazy schemes in Set It Up, even if she made fun of Charlie for being horrifically old. At age 28.

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I’ve mostly seen Glen Powell be kind of blandly handsome and pleasant, as Juliet’s poor old American Not-Michiel-Huisman fiancé in Guernsey, and pleasingly not-racist John Glenn in Hidden Figures. He gets to lean in to his asshole (so to speak) a bit more as Charlie. He gets some amusing and cutting lines, although we’re probably meant to think his deeply terrible boss Taye Diggs has rubbed off on him bit. Look, even Mr Darcy has to learn how to soften up a bit before he’s a worthy romantic hero.

I was pleased to see Lucy Liu given credit as the goddess she is in the movie:

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She’s a badass sports writer with her own publication, and while she has a touch of the Miranda Priestlys to her, you never question Harper’s admiration for her.

There’s a great support cast, a brilliantly old-school soundtrack (there’s absolutely nothing wrong with taking that cue from Nora Ephron)… I’ll stop talking. Go watch it. The world is fucking awful, go escape for an hour and 45 minutes.

I’m absolutely delighted that Netflix has managed to produce a movie that balances rom and com so adeptly. I’d love to see writer Katie Silberman do more, but I have some bad news. Her next movie. Such a promising concept:

A young woman disenchanted with love mysteriously finds herself trapped inside a romantic comedy.

It stars Adam Devine.

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